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THE COLOUR NEST
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The Studio

A place for staying with the work

The studio is where paintings are made, but also where they are given time. Works are moved, watched in changing light, placed near materials, left alone, and returned to. It is a space for testing, but also for hesitation, for noticing when something is ready to move forward, and when it needs to remain unfinished a little longer. It is not only a place of making, but a place of listening.

Art

Abstract painting as a language.

The work begins on canvas, but it is never separate from life. Painting becomes a way of noticing things: colour, rhythm, silence, tension, the shape of a room, the feeling left by a place or object. Over time, this language moves beyond the canvas. It changes how materials are seen, how spaces are read, and how everyday objects can hold something of the original work, not as decoration, but as another way for the painting to continue.
Art
Work in Context

Work in Context

A living world shaped by the work.

The studio is where the world of The Colour Nest begins to take physical form. Paintings, objects, materials, architecture, and daily rituals are brought together in one environment, not as styling, but as a way of understanding how the work can live. Over time, the studio becomes more than a backdrop: a place of testing, gathering, and future collection, shaped by the same language as the paintings.

Material changes what a work can become beyond the canvas.

In Development

A crafted process of testing and refinement.

Each piece takes shape slowly. Materials are handled, surfaces are tested, and small decisions are made by looking closely at the original painting. It is a process of care, adjustment, and knowing when the work has found the right form.
In Development

Textile & Print

Where the work begins to take form.

Print is the moment where the shift begins. Before this stage, there is fabric, colour, surface, and possibility. Each textile object is developed through a careful, small-scale process of selection, testing, printing, and adjustment. Nothing is treated as a ready-made product; every piece has to earn its place in relation to the original painting.

Material Studies

Understanding what each material can hold.

Materials are tested before a piece is finished. A surface can change the weight of a colour, soften a detail, or shift the rhythm of the work. These studies help decide what can move forward, and what needs to stay closer to the original painting.
Material Studies
Printed Process

Printed Process

Where the image begins to enter the surface.

This is the stage where the painting starts to become something else. Colour, texture, and detail are tested through print until the surface begins to hold the work in a new way. It is not just about placing an image onto material, but finding the point where the painting and the object begin to belong together.

Open Studio

A space for collaboration and new forms.

The studio is not a closed world. It is a place where paintings, objects, materials, and conversations can continue to grow. As The Colour Nest develops, it opens to thoughtful collaborations with artists, makers, designers, architects, and spaces interested in bringing the work into new contexts.
Open Studio

The Work Continues

The studio remains in progress, and the work is ready to be seen.

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