Living Interior
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Gatherers of Light: Crystals, Colour and Interior Space
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Crystals have become part of how I work with light, colour and interior space at The Colour Nest. I move them between the studio, office and living room, placing them beside paintings, materials and objects as each space develops.
I think of them as small gatherers of light - quiet presences that alter how a room is seen and felt.
Light has always been central to my abstract painting practice. It changes the weight of a colour, reveals unexpected relationships and allows something familiar to be seen differently.
When light meets a crystal, it can be reflected and refracted into shifting points of colour. A tone that seemed invisible suddenly appears on a wall, across a surface or within the object itself.
This is what draws me to crystals. Their transparency is never empty. They receive the surrounding light, transform it and return it in another form.
Like abstract painting, this experience does not need to explain itself. You can feel it intuitively before the conscious mind has found language for it.


Crystals entered my creative rituals gradually. I began placing them near paintings while working, then alongside materials, notes and developing ideas.
No fixed ceremony or prescribed arrangement exists. I move them according to instinct, following changes in light and the needs of the space. Their role is not to provide answers, but to help me pause, look again and become more attentive to what is already present.
At times, they feel like little angels gathering light for me. They hold a quiet energy within the room—a reminder that colour, reflection and atmosphere can influence how we think and create.
For me, their power is experiential. It exists in the relationship between the crystal, its surroundings and the attention we bring to it.
I don't experience crystals as conventional home décor or as objects that must remain in one place. They move between rooms as the seasons, light and atmosphere change.
A crystal beside a window may scatter morning light across a wall. The same object placed near a painting can reveal a colour relationship that had previously gone unnoticed. In the evening, its presence may become quieter and more reflective.
This movement keeps the home a living composition rather than a finished arrangement. Paintings, furniture, materials and crystal objects continually enter new relationships with one another.
The interior is not simply a backdrop for art. It can become part of the same visual language.
The Colour Nest practice begins with painting, but the work is never separate from life. Colour, rhythm, proportion and material continue through print editions, art objects and lived space.
Crystals enter this language through light.
They allow colour to appear temporarily, shifting with the time of day and the viewer's position. Like an abstract painting, they can change the way a space is read without dictating what should be felt.
They become another way for the inner and outer worlds to meet.
The Light Objects collection continues this personal relationship with crystals, reflection and interior space.
Each piece is selected for how it gathers light, interacts with colour, and contributes to a room's atmosphere. The objects carry no prescribed meaning. They invite you to observe, move, and form your own relationship with light.
Perhaps the power of crystals lies not in giving us answers, but in making something visible: a colour we had not noticed, a shift in atmosphere or a feeling that was already present.
They are small objects, but they can open a moment of attention. Sometimes, that is where transformation begins.
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